Greer Costa Mesa, California
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supported by 8 fans who also own “Bye Bye Baby”
I think it's difficult to write songs about something other than romantic love, and still be able to communicate the intensity with which those feelings can hit a person. Some of the entries on this album are fantastic examples of this niche.
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supported by 6 fans who also own “Bye Bye Baby”
savior complex makes my stomach feel full when i forgot to have breakfast
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supported by 6 fans who also own “Bye Bye Baby”
This is undoubtedly my single favorite album of all time. It feels like such a perfect culmination of all the themes and ideas Fleet Foxes has been working with since 2008. It answers many of the questions found on both Helplessness Blues and Crack-Up, and represents an incredible maturation and growth in Robin Pecknold's perspective. Their other albums are certainly masterpieces, but this, in my opinion, is their magnum opus. I doubt it will be recognized as such in its time.
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no place that feels like
by Ellis
Another devastatingly beautiful batch of indie rock confessionals from Ontario singer, producer, and multi-instrumentalist Linnea Siggelkow.
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The experimental rock band's new record is as melodic and inventive as ever, but now with an even more honed sense of play.
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Ross J. Farrar of Ceremony creates dubby outside punk evoking the minimalism of Young Marble Giants on his second solo record.
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